Michael Odmark is a sound editor living in Brooklyn, NY.

Michael’s love of sound goes back to high school, when he converted a former radio studio in a church attic into a recording studio. He followed his passion for music to Nashville, TN, where he quickly landed a job at Sputnik Sound and began producing records for independent singer/songwriters like Natalie Prass, Alva Leigh, Andrew Combs, and Aaron Roche.

His career in Nashville garnered him a cover story in the prestigious recording magazine Tape Op, where his work was described as┬ápossessing a “distinct touch anchored by a definite, if unobtrusive creative vision. Odmark possesses an unmistakable flair for crafting spacious, earthy mixes and brings a fresh perspective to recording acoustic-based roots music.”

After moving his operation to Brooklyn, NY in 2013, Michael wrote the original score for the feature-length documentary, Beyond the Walls, and entered film school at Brooklyn College. In 2014 he helped to launch The Close-Up, the official podcast of the Film Society of Lincoln Center, which he now produces, edits, and hosts. The show has aired over 170 episodes and averages 4,000 downloads per week. He also edits the Film Comment Podcast.

In addition to continuing his podcast work for Lincoln Center, Michael works as a freelance sound editor for TV and film. He has worked for New York-based studios Technicolor/PostWorks, Harbor Picture Company, and Gigantic Post, working for clients like HBO and National Geographic.

In 2016, his short film Devil’s Track, which he wrote, directed, and sound designed, won the award for Outstanding Achievement in Sound Design at the BC Film Festival in Brooklyn.